These are some concept art pieces for the character behind “The Nameless Accounts, also known as… er, minor spoiler, Ezran. I explain some of the concept process for each image.
This exercise was more to stretch my understanding of facial structure then it was to make character concepts for Ezran. The lower middle image is his most accurate structure, though I am rather fond of Dwarf Ezran in the upper right, and the upper middle feels like an Elder Scrolls Bosmer. Meanwhile, the lower left has the facial structure of Neddryn from “The Hottest Day of the Year”, though not his hairstyle.
Then there was a soft spitting noise, like a match flaring to light. Evelos glanced between his fingers, and there was Keelath, the wuyon’mar’s angular face twisted in rage, holding his sword in one hand and a ball of furious Light magic in the other.
Mirium drew the final note to a careful quaver, then bowed as her small audience erupted into clapping. Face glowing, the wuyon’mar stepped down from the Halfmoon Tavern’s stage and sat down between her two adult children, Medi and Evelos.
“What did you think?” she whispered.
“It was beautiful,” said Evelos. “I think you’re getting your talent back.”
“Oh, you think you could do better?” Medi quipped, nudging Evelos in the ribs.
“Well, I do have a story I could tell,” said Evelos thoughtfully, as the crowd settled again and Lana took to stage to call out for the next participant. “It’s from when I was a child.”
“You were a child once??” Medi goggled.
“Erm, yes,” said Evelos. “It’s about when we first moved to Thalas’talah, away from the Dawnmist manor. It was years before you were born, though.”
Medi leaned back in disappointment. “Really? That sounds bore-ring!”
…the next morning he was on the road again with his ram and the imp and a large supply of beer basted boar ribs…
The delivery was made and the fee for it paid. Still he was a little short, so Seryth agreed to look into the local kobold problem for the dwarves. He did his best to ignore the imp supplementing his fire bolts with some of its own… Continue reading “Conversion: Chapter 5, Part 5”
“The humans are coming, and there are too many of them. We need to negotiate peace with them. We need them to see that we are more than just beasts.” The shaman paused. “This is why, from this day forward, you will not carry axes when there is no enemy present. Blood duels are banned!”
A crowd of hoghers gathered in a large circle in the center of the village, which primarily consisted of huts made of animal skin and bones of large beasts. Their attention was entirely on two hoghers in the center, who glared at each other with deadly intensity, each gripping their axes that gleamed in the midday sun.
“You… you killed my brother. You will pay, Tangarth!”
“Your brother killed my father, and you can join him in hell, Gartan!”
“Your father shouldn’t have stolen from my brother’s farm!”
“Your brother should have paid my father! Your entire family are scoundrels with no honor.”
He returned to Kharanos with the trolls dead and the meat and shimmerweed in tow. The dwarves gave him a feast in thanks, and Seryth went to bed with a bellyache and a sore head. He dropped off quickly into sleep, reflecting that he could always tell his father that the harvest had taken longer than usual to sell, hence his being away for a few days instead of the couple he had promised… Continue reading “Conversion: Chapter 5, Part 4”
This was a continuation of the scene started in Part 2, so I just had to complete the thought.
One thing I will have to watch in the future is how I describe rukh-shami. These ones at first act like moving boulders, but then Sirith notes they feel smooth and malleable like mud. Earlier in Chapter 1 he noted they bled sand. So which is it? Are these different sub-races? Or does it have to do with how these ones were burned to death instead of stuck with swords? Does normal fire even work on them? My world-building has a lot of unanswered questions…
It was nearing sundown when Sirith approached the hills where the rukh-shami were supposedly encamped. He expected to see smoke rising in the air from campfires, but it was dark and silent all around. He pulled his ram to a stop and hesitantly dismounted, leading the riding goat into a brake of shrubs that he hoped would conceal it from sight.
Though the ympe clung impatiently to his shoulder, Sirith chose to approach the camps quietly, in a roundabout route up the shoulder of the hill rather than straight-on. He had an eerie feeling as he climbed Continue reading “Conversion: Chapter 5, Part 3”
Here is Mirium and her infant son, Aubraan. This image was inspired by my writing a scene in which Aubraan was nomming on Mirium’s pauldron. Someone said I should draw it, so I did!
Getting the color balance on this one correct made me want to pull out my hair. The background started out as blue, then green, and now purple. I also had to over-saturate the characters’ skin tones so they would pop out properly among the rest of the busy picture.
This is one of the first pictures I attempted adding sun glow and reverse shadows to, too. If you see purple shadows on an object instead of a darker shadow of its normal color, that’s the reverse shadow effect.
If the future, I should probably remind myself to smooth out the shading.
The cat continued to follow him like a silent shadow as he walked through Ironforge. The tunnels seemed considerably smaller now than they had when he was a kid.
The gryphon master was uninterested in lending him a gryphon, and so Seryth hired out a dwarven riding ram instead. The beast snorted as he stepped it down onto the snowy cobbles of Dun Morogh. He looked back and saw the cat still standing behind him, watching.
Seryth sighed. “Oh, fine! Come along if you want, but don’t cause any trouble for me.”